New Website for ‘Romantic Violence: Memoirs Of An American Skinhead’ Book Launched

Just launched the new website for my book manuscript Romantic Violence: Memoirs Of An American Skinhead. Follow @RVthebook and @cpicciolini on Twitter for updates. #lifeafterhate

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My next awesome adventure. THREADLESS!

threadlessAs you know by now, I have decided to take a giant leap in a new direction, moving on from my post as GM and Executive Producer of JBTV. After more than 2 years of creating the vision and leading the change at an already iconic TV show, it came time for my next challenge. I am very proud and extremely excited to finally announce that I have accepted the position of Community Partnerships Manager at THREADLESS. For those of you that are already familiar with Threadless, then you know what an amazingly innovative company they are. For those that might not know of the Chicago company, let me briefly fill you in.

Threadless is a thriving online artist platform and clothing e-commerce company that pioneered the original crowd-sourcing model. Threadless art designs are created and chosen by their fan community through online design challenges. Threadless is very passionate about their community and the community is equally passionate about Threadless. It’s truly inspiring to see the loyalty and community engagement that occurs in and around this brand. It blows me away.

My role at Threadless is one where I’ll be able to apply my true passions: strategy, development and brand building. I’ll be helping lead the process to identify and foster new artist communities, build a music program, develop innovative strategies for cool and interesting partnerships and expand new platforms for designers to create art on different canvases, as well as being directly involved in further growing Threadless’ already strong support for worthwhile causes and non-profits around the globe.

More than the brilliant business model, the tremendous success, and the unyielding support of communities I care so deeply about, is my sincere appreciation of the company culture at Threadless. Simply put, the people (my new colleagues and family) and the vigor with which they conduct business is inspiring, to say the least. I’ll be working alongside a rock star team who I look forward to learning a great deal from and sharing my ideas with. I’m ready to hit the ground running and “Make Great Together.”

Additionally, I am very excited to announce that I’m putting into production a new TV/digital content program that I developed, called The Tastemakers. I’m collaborating on it with some great and super ambitious friends of mine, Jesse Valenciana and Rick Linus of Manbque. It’s a food and music TV/web series that is inventive, fresh and already has some folks rumbling. I’m stoked to go into production later this month. Keep an eye out for more about this. Food. Beer. Rock & Roll. What more could you ask for? Definitely going to be killer!

These are both exciting new adventures for me. I’m beyond thrilled to join a great company and team, grow in a new direction, and also begin to fulfill another creative dream.

I hope you’ll all stick around for the ride! It’s going to be a fun one!

Adios, JBTV. Thanks for the memories…

JBTVlobbyHello, gang –

This is a letter I had hoped to never write. It is with a heavy heart that I type these words, but here goes. I have carefully decided that it is time to step down as General Manager and Executive Producer of JBTV and embrace the next phase of my life. By no means did this decision come easy; in fact, it’s one of the hardest I have ever made. Alas, I thought it important that you were the first to know.

27 months ago, on New Year’s Eve 2009/10, I became the first ever General Manager and Executive Producer of JBTV. I knew coming in that, prior to my joining, the company had endured some financial problems. Our accountants and lawyers had told Jerry that, after 25 years of operating while never turning a profit, shutting down this iconic TV show was the only solution. Few outside of the JBTV walls recognized the dire situation and the importance of saving it and we all agreed we couldn’t let that happen. After some talks with Jerry, I quickly realized what needed to be done and I vowed to help make JBTV a viable, self-sustaining business. After some finagling with creditors, assembling a dedicated crew who worked tireless hours for a company that couldn’t afford to pay salaries, developing a strong, fresh vision for the future and creating a killer business plan, we managed to get the bank off of our back for a bit, allowing us to “borrow” some time.

It’s actually quite amazing what we’ve built in just over 2 years. Capitalizing on the only assets we truly owned — Jerry Bryant’s rich 25 year history and JBTV’s credibility — we got a head-start on a near impossible task. We were essentially a 25-year-old startup company with no money and mounds of debt, but the subsequent building process was exhilarating. I worked to inspire an immediate change in the look and feel of this iconic, yet outdated, TV show and decided that, in order to introduce fans to compelling new music, we had to focus on letting the artists speak for themselves with live performances, rather than cookie cutter music videos. The new JBTV HD sound stage was christened and launched into full swing. I also recognized that credible, fresh and inspiring personalities were also critically needed to introduce new artists to new fans, so I went on a search for the most trusted and dynamic new hosts. Ryan Manno, a mainstay at Q101 and the voice of Chicago music was an easy choice to lead the new JBTV show alongside Jerry Bryant. Brendan Kelly of The Lawrence Arms and Tobias Jeg from Red Scare Industries were also no-brainers with their incredible wit and interesting demeanors and long history of supporting Chicago music. Jenna Martinelli blew us away at her audition and was another easy choice to add as co-host. Ryan’s brother, Kevin Manno, also joined us for a while before he took a jump to NYC and joined MTV as host of The Seven. We also added the very talented Tanner Rittenhouse, Jamal Neff and Nicole Marsel as co-hosts. We had assembled an amazing cast of experts, talented influencers and music aficionados as the spokespeople for JBTV. All in all, the best panel of talent hosting any music program anywhere.

I knew from the very beginning that, along with trusted talent and good music, production quality was going to be a hallmark upon which to build. So, the search for the most talented production crew began. Over the course of 27 months, we’ve had dozens of wonderfully talented individuals dedicate their lives to developing the overall sensibilities of the new JBTV. From camera operators, talent bookers, editors, producers and production assistants to motion graphics artists, photographers, social media, audio engineers and web developers, I assembled a crack team that have worked superhuman hours; each of us sometimes toiling up to 100 hours a week. Never getting paid for a minute of it, but knowing full well that every second we put in was actively important in changing the landscape of music as we knew it. To put it in true perspective, when I started at JBTV, there were 4 people here — Jerry included. Since then, over 70 people have contributed their time and talent. Together, we have accomplished so much in such a short time, all while holding up the wall against our backs.

The new JBTV is what I’ve often referred to as “Music Industry 2.0.” We find new artists doing incredible things, making undeniable music. We invest in their “stock” by having them in our studio, where we record live records and create live music videos, at no cost or risk to them. We provide high-quality distribution platforms on television, online, mobile and radio, so that fans can easily discover them. We then market our original content with the understanding that any profit would be equally split with the artist, offering them a revenue stream that was not afforded to them via the traditional means of working with a music label. This “2.0” vision was a strong passion I brought with me and, as such, worked hard to develop the new and compelling JBTV web and mobile platforms. JBTV Radio, available in the next version of our free iPhone app will feature a 24-hour music stream that is literally one-of-a-kind. It will feature rare and exclusive live recordings, spanning thousands of hours, from every artist that JBTV has had the pleasure of working with — from Radiohead and Oasis to Dave Matthews Band and The Gaslight Anthem. Distribution deals have been struck with every major mobile carrier in the nation, including Verizon, Sprint, T-Mobile, US Cellular and more, to offer music fans unprecedented access to JBTV’s proprietary archive. We offer all of our content, for free, at JBTVonline.com, on the JBTV YouTube channel (launched in late 2011) and via downloadable, weekly iTunes podcasts. JBTV is poised to influence the lives of a new generation and deliver fans “New Music. Now.” I often repeated that we’d turn people on to music they’d never heard of, so that it would become music they can’t live without. I think we succeeded.

During seemingly endless weeks filled with 18-hour workdays, it’s understandably easy to lose sight of the tremendous gains our work has made. Allow me to remind you of a few things your efforts have helped create:

In just over 2 years, the show has gone from local access to national distribution on NBC. What was once available only in Chicago is now also broadcast every Saturday at 10pm in Los Angeles, New York City, San Francisco, San Diego, Miami, Dallas-Ft. Worth, Philadelphia, New Jersey, Connecticut, Maryland, Delaware, Washington DC, Virginia and many more cities.

For our hard work and passion, we received a combined five regional Emmy Award nominations (and walked away with one) in two years. 2010 marked the first time in 25 years that JBTV had been nominated, and I was extremely honored to have been a part of that. We also garnered a pair of Chicago Music Award nominations, of which we scored one award.

In total, we developed an astonishing 77 brand new, one-hour episodes of JBTV during my stewardship. Those episodes featured more than 400 emerging artists and over 100 local Chicago artists. Featured performers and bands include Against Me!, Silversun Pickups, Chrissie Hynde, Andrew W.K., The Gaslight Anthem, Chuck Ragan, JC Brooks and the Uptown Sound, Foxy Shazam, Allen Stone, Ben Kweller, Frank Turner, Bayside, New Found Glory, Hot Hot Heat, Anti-Flag, White Wives, The Arrivals, Say Anything, Alberta Cross, Circa Survive, Steel Train, JD McPherson, fun., MGMT, Slayer, Plain White T’s, Dawes, Minus The Bear, Bowling For Soup, Bouncing Souls, Nneka, Lisa Loeb, Fake Problems, Smoking Popes, Megadeth, Korn, Death On Two Wheels, Kill Hannah, RX Bandits, Portugal. The Man, Rise Against, Riverboat Gamblers, Street Dogs, The Frantic, AM Taxi, Free Energy, One eskimO, AWOLNATION, Maps & Atlases, Dan Andriano, Fitz and the Tantrums and hundreds more.

In 2011, JBTV partnered with the Smashing Pumpkins on their 2 re-releases of Siamese Dream and Gish. I had the honor of serving as Executive Producer on the DVD supplements that accompanied the three-disc box sets. In 2012, we also contributed to the band’s planned re-issue of Pisces Iscariot.

JBTV has also had the unique experience of being one of the only music television shows to document the 2010 and 2011 Lollapalooza festivals, the 2011 South By Southwest (SXSW) festival and Warped Tour ‘10 and ‘11. We worked grueling hours on all of those shoots to build shows dedicated to showcasing the countless talented performers that otherwise would not have a platform to reach out to new fans.

Beyond the music, we’ve had the great fortune of developing some amazing partnerships during my time at JBTV. Sponsors like Vitaminwater, PopChips, Reyka Vodka, Guitar-Cable.com, Emperor Cabinets, Red Bull, Sirius XM/Howard Stern 101, Almighty Guitar Cabs, Threadless, FanFound, Gibson Guitars, DO312.com, C3 Presents, Rock Razor Scissors, Chicago Music Guide and All Terrain were a breath of fresh air. While JBTV had never worked with sponsors in its preceding 25 years, we were able to organically align with these partners because of a shared love and commitment to music.

The list of accomplishments is vast. But it is truly dwarfed by my inexpressible gratitude to each of you for the role you’ve played – colleagues and fans alike — not just in the company’s growth, but also in my life.

The truth is, I owe my musical passion to JBTV. Having grown up with it as my tastemaker since the mid-1980s, I fondly recall huddling in front of my little TV late at night, waiting for the odd chance that quirky Jerry and his music videos would happen to be on one of the local channels. The show turned me on to great bands like They Might Be Giants, Social Distortion, Bad Brains, Smashing Pumpkins, Ramones and The Flaming Lips.

All these years later, it breaks my heart to write these words. I have spent the last 27 months giving my heart and soul to JBTV and I am so very sad to say that my time spent leading it has ended. I’ve thought about this long and hard and I’ve struggled with the decision through many a sleepless night. It is not for lack of wanting to be here, as I’ve enjoyed it immensely and learned a great deal along the way. Despite my departure, I wholeheartedly believe in JBTV, the brand, the crew and the mission. JBTV is at its greatest peak in its storied history, making the best shows it has ever made, continuing to feature great talent and influencing people around the globe to enjoy amazing music from deserving artists. I take great comfort in the fact that I’ve accomplished everything I set out to do, helped dozens of people and hundreds of bands along the way and left my mark on this era of great music television. But now, it is simply time to take my next great leap.

While I am saddened to leave JBTV, I am also extremely excited about my next stage in life. I look forward to spending more time with my wife and sons, contributing further to my non-profit Life After Hate, working on personal projects that I’ve put on hold for far too long, focusing on growing my entertainment company Goldmill Group, continuing to contribute to the Chicago art and music community and leading innovative efforts that help inspire the world around me. I have an innate need to create, innovate and work with other talented people. Shortly, I’ll be making a proper announcement about where else this exciting new leap is taking me. For now, know that I’ll be doing what I love.

My last event at JBTV will be the Chuck Ragan shoot on Monday, April 9th. I believe that Chuck is one of the most important artists of our time and I am honored that his performance will mark my exit from JBTV. I will leave JBTV with the utmost respect for the show and its rich history, Jerry Bryant, the man who has taught me so much, my crew, the bands and our faithful viewers. It was an absolute honor to serve as your General Manager and Executive Producer for these past 27 months. My departing hope is that I have left a lasting impression on the show and acted as a spark for the future of JBTV. Together, we’ve made tremendous progress; progress that I am honored to have led and worked hard to achieve. I will never forget a moment of this great experience and will always hold my time here as one of the greatest accomplishments in my life and a dream that I was able to fulfill. Thank you for your incalculable energy, time, faith, contributions and belief in me. Thank you for being such an integral and irreplaceable part in my dream. I am hopeful that our paths will cross again.

In closing, I wish each of you – my dear JBTV family (Jerry, Tim, Paul, Ryan, Tobias, Brendan, Jenna, Celestina, Aaron, Will, Jon, Tanner, David, Sam, Anthony, Ashley, Jamal, John, Ken, Kyle C. and D., Aidan, TJ, Robert, Martha, Nicole, Jason, Marty, Melissa, Mark, Phil, Kati, Biddy, and all of the rest I’ve had the pleasure to work alongside) – the best of luck, personally and professionally, and I look forward to huddling around my TV, to see the magic that you continue to create, for many years to come.

With respect,

Christian Picciolini

Homer Resident Christian Picciolini Helps JBTV Back On Its Feet

Homer resident helps JBTV back on its feet
March 29, 2012 | 03:22 AM
by Bill Jones (Taken from Homer Horizon/22nd Century Media)

Photo by Tasha Schalk / Redwall Photography

Photo by Tasha Schalk / Redwall Photography

Christian Picciolini of Homer Glen shouts through a megaphone. Picciolini serves as Executive Producer and General Manager of Chicago’s JBTV, a music program with 28 years of tradition. He recently inked a deal with NBC Universal to bring the show to 14 markets.

After more than 28 years, just about anything will start to wane. But sometimes all it takes is a fresh set of eyes and a few new ideas to see it reborn into a level of greatness that has the potential to eclipse even that of the original.

The former was the case for Chicago’s long-running music television program JBTV, which in its heyday boasted some of the first televised interviews with bands like Green Day and The Smashing Pumpkins, but in recent years found itself on the brink of bankruptcy. The latter was the case when Homer Glen resident Christian Picciolini got his hands on the show.

“In two years, we’ve gone from a local access show to a nationally distributed show on NBC,” Picciolini said in March during an interview in his office at JBTV, where he has worked for the last two years as executive producer and general manager.

Picciolini announced in January that the program — which mixes music videos with live, in-studio performances and interviews with emerging and established artists — signed a deal with NBC Universal to bring the weekly, one-hour program to 14 major markets across the United States on NBC “Nonstop.” It was another major victory for Picciolini and the rest of the crew at JBTV, following a Regional Emmy Award in 2010 and multiple Emmy nominations in 2010 and 2011.

Picciolini sits in his office, the walls covered in memorabilia signed by his favorite bands, many of which he personally worked to bring on the show. He has a white board on the wall where recent and upcoming episodes are blocked out by date and band, with color codes showing which ones are live performances, interviews and retro segments. Despite the decidedly punk rock decor, Picciolini is watching a YouTube video of a 13-year-old Iranian girl belting out a cover of Adele’s “Someone Like You.” He says it’s a great example of how music can connect with people from all walks of life, and it is a good indicator of how he found himself in this position.

“I would say I was not listening to music until I found JBTV,” Picciolini said. “I never would have guessed that 20 years later I’d be running the show.”

Picciolini, 38, said when he was younger he did, in the strictest sense, “listen to music,” but it wasn’t his music. JBTV opened his eyes to bands like The Ramones, The Clash, Stray Cats, Social Distortion and Bad Religion, and it quite literally changed his life.

But the program he saw back then was an almost entirely different beast. It has always featured host and namesake Jerry Bryant, but then it focused mostly on music videos, with artists stopping by the studio to comment on them.

Still, it was enough to spark Picciolini’s interest in the music industry. At 15, he started a band and found himself producing bands by his early 20s. At 20, he opened Chaos Records in Alsip but said he couldn’t keep up with the prices of chain stores like Best Buy. But, as was maybe evident to anyone who stepped into his record store, music was also taking him down a darker path.

After Picciolini closed his record shop, he went to work for IBM for seven years as a marketing manager.

“I kind of put my passion for music on hold,” he said.

But he couldn’t keep it on hold for long, and in 2006 he left IBM to start a record label. He said he got the idea around the advent of Myspace, when he found himself constantly discovering new, great artists who didn’t have labels behind them. That eventually led him into the world of management.

“I didn’t like selling music, but I really loved working with artists that had a lot of potential,” he said.

One of the first artists that caught his attention was the Lockport-Homer Glen punk quartet The Frantic. In his role as manager for the band, he brought them to JBTV, where he met and became friends with Bryant. Shortly thereafter, he got an email Bryant sent out to his list about shooting the “last show” for JBTV. As it turned out, the show wasn’t doing well and Bryant’s accountants were encouraging him to file for bankruptcy and shutter the studio. Picciolini immediately emailed him back and said he had some ideas.

“My first thought was, ‘You can’t!’” he said. “You know how they say banks are too big to fail? JBTV is too cool to fail.”

Picciolini got together with Bryant for dinner on New Year’s Eve in 2009.

“He asked me to come try and save it,” said Picciolini, who literally started the next day. “We started putting together shows that were the highest quality we’d ever done.”

The show started bringing in additional hosts for interviews — such as Chicago radio’s Ryan Manno, The Lawrence Arms’ Brendan Kelly and Red Scare label head Tobias Jeg — in an effort to bring on “credible people who know music,” or tastemakers. He said that is an important part of JBTV’s vision and something that has been lost by other music programs.

“We’re trying to take new artists and introduce them to new people,” he explained.

Maybe more important is a vision Picciolini calls “Music Industry 2.0,” an idea in which JBTV partners with emerging artists to find new ways to market and sell the work they do together, for the benefit not just of the show but the bands as well. The studio has introduced both a radio platform and mobile app, but no matter the platform, what JBTV boasts are performances and interviews fans can’t hear anywhere else.

Photo by Bill Jones / 22nd Century Media

Photo by Bill Jones / 22nd Century Media

And Picciolini said the show that was once on the brink on extinction is now on the rise, in large part thanks to countless volunteers who spend their time shooting video and editing at the studio. He said it is just the beginning of what is to come for the revamped version of JBTV.

“I’ve always got ideas,” he said. “I can’t sleep at night because I’ve got so many ideas.”

Picciolini’s tale now rests in the “success story” column, but there was at least one major obstacle he had to overcome to get there, and it, too, was created by his passion for music. When asked about his background, between starting a label at 20, going to IBM and now running a television show, Picciolini said he didn’t go to college.

“I was a high school grad, barely, because I’d been kicked out of, like, five schools,” he said, noting he eventually got his diploma from an alternative school.

Picciolini grew up in Blue Island just when its White Power skinhead movement was taking off. He said he grew up in a household that was very “pro-diversity,” but he fell into the movement mostly because he was exposed to it and thought the music was cool. He said he didn’t get involved for the political or racist beliefs, but eventually he became a leader of a local chapter of one of the groups, the Hammerskins. He was also involved in bands like White American Younth and Final Solution, one of the first White Power bands from the States to play in Europe. He stayed involved with the movement until he was 23 years old, then fell in love, got married and had children. He decided he was done with that life and moved to Homer Glen to raise his family.

“Luckily, what my parents taught me was strong enough to stay with me,” he said.

Now he carries a keychain with the words “Justice — Diversity — Equality” that he got when he visited the Holocaust Museum. It serves as a reminder of his past and how he turned things around. He wrote a memoir on his experiences that he hopes to publish soon. He also spends his time as executive chair of Life After Hate, an organization dedicated to peace and human goodness. He launched it in 2010 on Martin Luther King Jr.’s birthday. And in some ways it is a measure of atonement for his youth. But Picciolini said he’s also happy to be involved because he knows it can have a positive influence on people. He works on character outreach development, trying to curb violence at schools by working on curriculums with teachers and administration, as well as community organizations and businesses.

“That’s one of my main focuses,” he said.

“We really haven’t changed our focus in 28 years,” Picciolini said of JBTV, back at the studio. “We don’t limit ourselves to large artists or small artists, we just want good music. We’ve never done it for money; we’ve always done it for music.”

In addition to good music, Picciolini wants it to be good music with a positive message. He actively seeks bands he feels have a positive impact on the world, and the show seems to attract those types of bands on its own at this point. Meanwhile, he continues to come up with new ideas for the future success of the program.

“We try to invent ourselves almost every week,” he said. “That’s what I like about independent music; it’s always cutting edge, always groundbreaking.”

And though Picciolini has had the privilege of inviting some of his favorite bands to the JBTV soundstage, he said he is always surprised by those news acts, such as 24-year-old Allen Stone, who recently recorded a segment there.

“I’ve never had a band in here I don’t like,” Picciolini said. “They all change my life every time they play here.”

(Taken from Homer Horizon/22nd Century Media)

HOPE.

“Hope is that thing with feathers that perches in the soul and sings the tune without the words and never stops…at all.” ~Emily Dickinson.

What brings you hope?

Seer Outfitters and the Kyle Korver Foundation (KKF) bring hope to inner city children one city at a time. Submit your Hipstamatic images of what hope means to you for a chance to have your image printed as a special edition Seer Outfitters t-shirt! Join Hipstamatic in Chicago on January 29th, 2012 to launch their new HOPE contest with partners Seer Outfitters and Black Label Booking. We’ll be rocking out at the Double Door with music by Barcelona, The Canes, and March of Morn! Doors are at 6:30 to the public with all proceeds benefiting three local charities, including my own, Life After Hate. Seer Outfitters is a clothing line created and co-founded by Kyle Korver of the Chicago Bulls (#26) with the purpose of wholly funding the ongoing efforts of the Kyle Korver Foundation and creating a model of sustainable philanthropy. By directing its profits through the Kyle Korver Foundation, Seer Outfitters has built and installed over 100 wheelchair ramps in Utah, rehabbed and brought much needed assistance to schools on the watch list to be shut down in Chicago, and set up an athletic and academic support program in inner-city Philadelphia.

Get your tickets now for the January 29th event and help support Life After Hate!

Bands, Treat Your Music Like a Bowl of Salty Bar Pretzels

DSC00668Bands shouldn’t be scared to give away some of their music for free. Think of your tunes like a free salty bowl of pretzels in bar. When a patron sits down, they begin by munching on the saliferous treats, not knowing a damn thing about what the pretzels taste like or who made them. Before they know it, these drunkards (and music fans are definitely lushy, in theory) will want something more to wash them down. The more they snack on them, the more they drink. Before they know it, they’re totally wasted and they’ve spent $120 on the bar tab. Think of the beer as your merchandise, albums and live event ticket sales. Reel them in with something that’s free and enough to make them want to come back for more or to quench their thirst. If you’re lucky, they’ve bought their friends some rounds and now they’re part of the party and wasted too. All because of a darn bowl of salty pretzels. My point is, if you want to compete against all the other bands out there trying to hock their wares and compete for your beer money, maybe you should think like a bar owner and give people some salty pretzels to make them really thirsty first. Just sayin’.

Blogger’s Note: Stay tuned for my upcoming inevitably snarky post where I proclaim, “You’re not a band, damn it! You’re a t-shirt company!”

Bands shouldn’t be scared to give away some of their music for free. Think of your tunes like a free salty bowl of pretzels in bar. When a patron sits down, they begin by munching on the saliferous treats, not knowing a damn thing about what the pretzels taste like or who made them. Before they know it, these drunkards (and music fans are definitely lushy, in theory) will want something more to wash them down. The more they snack on them, the more they drink. Before they know it, they’re totally wasted and they’ve spent $120 on the bar tab. Think of the beer as your merchandise, albums and live event ticket sales. Reel them in with something that’s free and enough to make them want to come back for more or to quench their thirst. If you’re lucky, they’ve bought their friends some rounds and now they’re part of the party and wasted too. All because of a darn bowl of salty pretzels. My point is, if you want to compete against all the other bands out there trying to hock their wares and compete for your beer money, maybe you should think like a bar owner and give people some salty pretzels to make them really thirsty first. Just sayin’.
Blogger’s Note: Stay tuned for my upcoming inevitably snarky post where I proclaim, “You’re not a band, damn it! You’re a t-shirt company!”

What The Hell is a “Mac Miller” and Why Do All of His Youtube Videos Have Over 20 Million Views?

White rapper. 19 years old. From Pittsburgh. I know what you’re thinking…who? Exactly. I’d heard my kids mention his name once or twice and I thought the same thing. It turns out that this teenage sensation has over 1.2 million Twitter followers, 1.5 Facebook “Likes” and his latest record was #1 on the Billboard 200 chart, selling 144,000 copies in the first week. That’s rare, for someone you’ve never heard of. On top of that, he’s got dozens of videos on Youtube, most with over 20 million views. The biggest has over 42 million views. This guy’s pulling in some hefty digits on Youtube ad revenue alone.

White rapper. 19 years old. From Pittsburgh. I know what you’re thinking…who? Exactly. I’d heard my kids mention his name once or twice and I thought the same thing. It turns out that this teenage sensation has over 1.2 million Twitter followers, 1.5 Facebook “Likes” and his latest record was #1 on the Billboard 200 chart, selling 144,000 copies in the first week. That’s rare, for someone you’ve never heard of. On top of that, he’s got dozens of videos on Youtube, most with over 20 million views. The biggest has over 42 million views. This guy’s pulling in some hefty digits on Youtube ad revenue alone.

This is what I’ve learned. Number one…you don’t necessarily need to be good to be popular. In fact, being really good actually means you’ll probably sell almost no records and end up becoming a subculture icon for many decades. But, still, you sell no records (Note: Compare The Ramones’ album sales versus Rebecca Black sales – btw, 147 million+ Youtube views for Ms. Black). Numero dos: Find something that works, vis a vis the white rapper thing, college kegger frat boy entertainment and smoking weed in your videos tip, and amplify it and bring it to the masses via viral social networks. Kids love free. They share free. They live and breathe free. And yet, somehow, in some way it turns into 144,000+ album sales in one week. Here’s a groundbreaking idea: Use the Internet efficiently and to your advantage. Take note, all you Facebook event invite stalkers. I’d bet that Mac Miller isn’t sending out FB invites for his crappy shows at that sweat lodge in Indiana (well, maybe he is). Find new avenues to promote yourself and become viral. Easier said than done, but it’s not this guy’s music theory acumen that is making him rich. And C, make everything you do a party. The most active music market (outside of Country I’m guessing) is the college kid party market (I’m guessing, again). Kids + free shtuff + party atmosphere that brings boys and girls together = paycheck. Doesn’t matter if there is dope being smoked there or not, girls spend money to impress boys and boys waste money to attract girls. It’s the law of the land. And while I don’t necessarily agree or get inspired by this kid’s general message, style of music, or lack of originality, one thing that is undeniable is his knack for exploiting what works and not caring about what doesn’t. He’s not re-inventing the wheel, only making it slightly worse and then exploiting the crap out of it.

So, what the hell is a Mac Miller? Success, my good people. The American Dream. Get your nuts kissed…haters.